The Shape of Water (Full Review)
- Brady Moore
- Feb 13, 2018
- 1 min read
You can always recognize a Guillermo Del Toro film. The acclaimed director of HellBoy and Pan’s Labyrinth always carries a special aesthetic that usually involves unique creatures and gothic cinematography. His latest film, The Shape of Water, is a pleasant reminder of the charm he is also capable of bringing to his iconic brand of filmmaking.
The Shape of Water tells the story of Elisa (Sally Hawkins), a mute woman in the 1960’s who lives above a movie theater and works janitorial night shifts at a secret government facility. When a South American humanoid is brought to the facility by a malevolent government agent (Michael Shannon), Elisa befriends and eventually falls in love with the amphibian-like creature (Doug Jones). With the help of her neighbor (Richard Jenkins), her coworker (Octavia Spencer) and an undercover Russian scientist (Michael Stuhlbarg), she embarks on a plan to help the creature, known as ‘The Asset”, escape.
A movie that teeters on being about bestiality certainly can be categorized as an odd film. But Del Toro’s story never manages to let its bizarre romance subvert its charm. Despite using only sign language, Sally Hawkins delivers a wholesome performance and makes her character’s unusual attraction to The Asset feel holistically human and genuine. Adding to the allure of the story is the supporting cast. Richard Jenkins is wonderful as Elisa’s artist neighbor who struggles with his sexuality while also trying to manage his friend’s dangerous ambition. Octavia Spencer works as the perfect companion and provides wonderful comedic timing as Elisa’s motor mouthed best friend.
Michael Shannon’s performance as the film’s villain is perhaps the greatest triumph of the film. His grotesque personality is accentuated with astute, yet subtle character development that makes him magnetic on screen even if you’re supposed to hate him. With hardly a dull moment, The Shape of Water manages to be a modern fairy tale that coupled with a sound score and gorgeous cinematography is a film easy to enjoy despite its many bizarre moments.
FINAL GRADE: B
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