I consider myself a fan of Quentin Tarantino. Pulp Fiction is one of my favorite films of all time, and I absolutely loved the Kill Bill movies, Django Unchained, Inglorious Bastards, and Reservoir Dogs. But 2007’s Death Proof, his only film I flat out despise, also showed me that the films by the stylistic director can sometimes be an acquired taste if you’re not used to him and irksome even if you are.
The film serves mostly as an old western/mystery. That unique quality alone makes it intriguing. But it does feature all of the things many find irksome about Tarantino’s films. For one thing, the director is excessively methodical, from the film’s dialogue to the often 90 second tracking shots, it’s clear QT has no respect for your notions of a proper film’s runtime. Then there’s Tarantino’s trademark gore and rampant use of the ‘N-word’, neither of which bother me and if you saw and liked Django Unchained, they shouldn’t surprise or distract you either.
Negatives aside, as I mentioned before, I consider myself a fan of Tarantino. And as such, I can recognize all of the elements that make him, in my mind, one of the best working Directors in film. From the costumes, to the attention to character details, to the scenery, The Hateful Eight carries an authenticity and tangible nature about it that makes it feel as if you’re right there with the characters. The acting is also solid, thanks to wonderfully charismatic performances by Jackson, Russell, Goggins, and Roth as well as a gross and gritty, yet lovable job by Jennifer Jason Leigh.
If you’re unfamiliar with Tarantino then the violence and three hour runtime with often slow pacing will make you want to leave halfway through The Hateful Eight. But if you’re familiar with the director’s style, then there’s plenty to love about his eighth film. It’s certainly no Pulp Fiction or Kill Bill, but the latest film is certainly another worthy addition to Tarantino’s impressive archive.
FINAL GRADE: B+