Back in 2012, Ridley Scott attempted to revitalize his science fiction/horror Alien franchise with Prometheus. Despite having a star studded cast and a premise filled with intrigue, Prometheus left me (and tons of franchise purists) a bit dissatisfied. It was by no means a lousy movie, but it failed to answer many of its own questions and was also void of the horror elements that made the original films so suspenseful. Having heard all of the gripes back then, it’s only natural to expect Scott to right the wrongs of Prometheus with Alien: Covenant.
For the most part the crew (or inevitable victims if you’re familiar with the franchise) is intrinsically likable. Katherine Waterston does an amicable job as Daniels, the Covenant Captain’s widow and the film’s lead. She is humble and does a solid job conveying all the necessary emotions, but it’s admittedly difficult to distinguish the character’s personality from the previous film’s lead (Noomi Rapace). Danny McBride brings surprising emotion and southern charm to his role as Tennessee, the ship’s pilot. Carmen Ejogo and Billy Crudup do their best as the husband and wife duo entrusted to lead the crew after their captain’s untimely demise. Michael Fassbender returns to the franchise as Walter, a humanoid robot built by the expedition’s founder Peter Wayland (Guy Pearce in a cameo role). Just like in Prometheus, Fassbender’s performance is hauntingly magnetic and the film’s driving force.
It’s hard to truly delve into the problems and successes of Alien: Covenant without revealing heavy spoilers. But it is important to note that the film is a direct sequel to Prometheus. This not only means familiarity with the previous film is a must to understand much of Alien: Covenant, but it also makes the movie associate more with its underwhelming prequel than to the beloved first two films in the franchise. Just like in Prometheus, the true villain isn’t a terrifying alien and although there are still tons of creepy horror moments, the movie is more stomach churningly gruesome than it is outright scary.
The movie does deserve credit for making its characters a touch smarter than the ones in Prometheus (but only a slight touch) and unlike the previous installment, Covenant actually manages to answer more questions than it leaves on the table. But it still doesn’t do much to make itself more memorable. While it certainly doesn’t hearken back to the 1979 or 1986 films in thrills or suspense, Covenant does manage to be an intriguing and fun, albeit generic entry worth a watch for fans of the genre but possibly dismissive for anyone else.
FINAL GRADE: B
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